Film director Fomenko Petr Naumovich: biography, creativity, interesting facts

A major figure in theater and cinema, the ownerhis own author's vision and Fomenko's method, Pyotr Naumovich left a significant mark in the art of Russia. His film works are inscribed in the list of the best adaptations of literary Russian classics. The creative way of the director was not easy, he had to overcome a lot before achieving self-realization.

Childhood and family

Petr Fomenko was born in Moscow on July 311932 year. The boy's dad died during the Great Patriotic War, there are only a few photos of his father and son. The main concern for the child lay on the shoulders of her mother, she was very fond of Petya and tried to make his childhood as happy as possible. Alexandra Petrovna came from a very intelligent, educated family from Novorossiysk. Her father was the deputy chief of the cargo port. During the Civil War, the family sheltered the wounded both from the Reds and from the White side. So in their house fell the red commander Naum Fomenko, in which the girl passionately fell in love and left for him to Moscow. After the war, Alexandra Petrovna worked as an economist for international relations in the department of Anastas Mikoyan. She was very fond of art, this feeling she passed on to her son, who loved music most of his life, became his guiding star in life and the basis of his creative method as a director.

As a child, Peter was engaged in a variety of sports: skating, football, tennis. These hobbies also stayed with him for life.

Path to the profession

Since childhood, Peter was engaged in playing the violin, hegraduated from the Gnessin School, the music school Ippolitov-Ivanov. My mother dreamed that my son would become an outstanding musician, but at some point both mother and son realized that he could not make a big career in the performing arts, and the young man began to look for a different path. And in 1950 he entered the acting department of the Moscow Art Theater School from the first time. At that time the studio was the mainstay of the classical theater, and Fomenko, with his hooliganism and endless irony, did not fit into her graduate concept. For 2.5 years of study, Peter was able not only to make friends with many classmates, but also to restore almost all the pedagogical staff against him, except Vershilov, who continued to study with Fomenko, no matter what.

The future director was constantly involved inpranks and set up a lot of pranks, sometimes not at all harmless, and therefore he was expelled from the third year with the wording “for hooliganism”. Fomenko was very worried about this exile, and besides, he faced an acute financial issue, and he had to find a variety of ways to make money. But the main thing is that he needs to study somewhere in order to get a profession, and he enters the philological faculty of the Moscow State Pedagogical Institute, where he meets a whole galaxy of remarkable people. These are Y. Vizbor, Yuli Kim, Yuri Koval, Vladimir Krasnovsky, with whom he will be friends all his life and which helped him to finally decide on his future profession.

The Case of Life

Even at the Moscow State Pedagogical Institute, Fomenko puts on skits, works in a student theater, rehearses "The Stone Guest" and understands his true purpose.

At the end of the faculty Fomenko Peter NaumovichHe enters the directing department of GITIS, where during his studies he staged his first full-fledged play, Restless Inheritance, based on a play by K. Finn. His teachers were N. Gorchakov, N. Petrov, A. Goncharov.

He graduated from the institute in 1961 and is eager to work, he is sure that he has found his purpose, he has a lot of creative ideas and ideas, now he needs only theater.

Theatrical wanderings

After graduation, Fomenko beginsreal ordeals in job search. He works in several theaters, leads a studio in the House of Culture, collaborates with the student theater of Moscow State University. Peter Naumovich puts the play in the theater. V. Mayakovsky "The Death of Tarelkin" based on the play by Sukhovo-Kobylin. The performance is notable for its sharpness, irony, scathing satiricalness and uncommonness, all this was excessive for the Soviet theater, and the performance was banned after 50 shows, despite the deafening success of the audience. The production of “New Mystery Buff” at the Lensovet Theater was severely censored, the performance was handed over five times, but it was never allowed to be shown.

After that, Fomenko became even harder to find.work He takes on any work, but it does not give financial stability. In search of a permanent place of employment, Peter Naumovich leaves for Tbilisi, where he works in the Theater. Griboedov two years.

In 1972, he moved to Leningrad, whereworks in a comedy theater until 1981. Here he puts 14 successful performances, in parallel, collaborates with theaters in Moscow. Peter Naumovich Fomenko, whose photo is placed on the stands of theaters of both capitals, takes up any business, he has 1-2 performances a year. In 1982 he staged performances in the theater. Mayakovsky in the capital, since 1989 working in the Theater. Vakhtangov.

Director Fomenko Pyotr Naumovich works a lot in other theaters, he has put on about 50 performances in different theaters of the world in his entire creative life, not counting productions in his workshop.

A great movie

In 1973, Soviet cinema was enriched byas a master, it was then that Fomenko Pyotr Naumovich came to filmmaking. The real name of the creator has become synonymous with film talent. Speaking simultaneously as a screenwriter and director, Fomenko in 1973 makes the film “Childhood. Adolescence. Youth ”according to the work of L. N. Tolstoy.

In 1975, he removes a picture of the play B. Panova "For the rest of your life." Here he also acts as co-author of the script. The four-episode picture of the hard work of military physicians in the years of the Second World War is based on the unique method of Fomenko for working with actors, they do not play with him, but live and improvise in the frame. The tape received many laudatory reviews and a prize at a film festival in Georgia.

In 1977, Fomenko Peter Naumovich, famousdirector by the time, removes the lyrical picture "Almost funny story." The film features very atmospheric music and lyrics to lyrics by Y. Moritz, N. Matveyeva, A. Velichansky. Here the director was able to show his new face, he makes it clear that he can be kind, gentle and even a little romantic.

In 1985, another Fomenko film is released -"Ride an old car." This bright comedy script E. Braginsky again showed the audience a soft and lyrical director and was his last work in the big cinema.

Teleman Fomenko

Fomenko Peter Naumovich was able to create hisunique format, shooting television movies. His screen versions of classic works of Russian literature have become an example of a careful and respectful attitude to the material. At the same time, these productions are not a boring retelling, but a creative rethinking of the works. Films are distinguished by extraordinary musicality and inspirational play of actors. Total Fomenko shot 16 television films. Among them are “This dear old house” by Arbuzov, “Tanya-Tanya” based on the play by O. Mukhina, “Lyubov Yarovaya” by Trenev and, of course, Pushkin’s magnificent screen versions.

Pushkin and Fomenko

Pushkin's prose became for the director material forendless reflection and creativity. Pyotr Naumovich Fomenko, whose biography for many years was associated with screen versions of Pushkin's stories, found great inspiration in the literary material. He twice makes films on The Queen of Spades, and they differ not only in interpretation, but also in directorial decisions. The famous film "The Shot" with movie stars Leonid Filatov and Oleg Yankovsky became the trademark of Fomenko, a filmmaker. In 2012, he shoots the last TV play by Pushkin “Triptych”, in which he connected “Count Nulin”, “The Stone Guest” (which he could not show to the viewer in his youth) and “Scenes from Faust”, here the director's innovation and his deepest reverence for the source material.

Pedagogical activity

Fomenko Peter Naumovich except directing more than 20years gave pedagogy. He graduated four courses at the Russian Academy of Theater Arts. The students say that Fomenko had an exceptional talent as a teacher, he inspired students and encouraged them to search, improvise, grow. It’s not in vain that they always have their own face, you won’t confuse them with anyone. With students, he sets his favorite classics of Gogol, Pushkin, Ostrovsky, Chekhov, teaches them not only admiration for the material, but also the ability to rethink texts, creating modern images.

PN Fomenko Workshop

From among the faithful students of the director has developedoriginal, author's theater named after him. In 1993, Fomenko’s workshop received the official status of a theater, the repertoire of which contains one classic. But the director with a team of like-minded people always finds a new approach to traditional history; therefore, the theater’s productions are distinguished by innovation and relevance. Many of them are marked by the highest awards and prizes. After the director’s death in 2012, the theater was headed by Yevgeny Kamenkovich, and the troupe continues the traditions of the master, continues to live.

Private life

Fomenko Peter Naumovich, whose personal lifeDiffers in complexity and complexity, was married twice and had one big novel, from which he had the only son. The first time he married in Tbilisi was theater artist Lali Badridze. The second and last marriage with Maya Tupikova lasted almost 50 years. Despite this, Fomenko Peter Naumovich, the family for which was a strong rear, allowed himself numerous hobbies. But his wife, a wise woman, understood that these were the costs of her husband’s creative character, and forgave him for his weaknesses.

Interesting facts from the life of Peter Fomenko

In school, Fomenko became interested in football, hechasing the ball together Tolya Ilyin, who many years later will become a famous football player. Pyotr Naumovich did not become a football player, but was a passionate fan all his life.

Fomenko Peter Naumovich, whose nationalityrepeatedly became the subject of his jokes and tales, all his life he considered himself a Russian director. Although in Soviet times, he had to feel the negative influence of his origin. He, with his characteristic irony, told how, during his internship at the Maly Theater, the strict head of the security department was kind to the beginning director exactly until he heard the middle name Fomenko. As soon as he learned that he was Pyotr Naumovich, he immediately made the appropriate conclusions and began to earnestly perform his duties, limiting the temporary admission to the theater for only 1 month.

In the years of unemployment, after deduction fromstudio school, Fomenko works a lot in the houses of culture near Moscow, where he puts on classical works. He found opportunities for his own interpretation there. So, he put the play “Cyrano de Bergerac” of Rostand, in which the main character moved in a wheelchair, and the beautiful Roxana weighed more than a hundredweight.

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